
I have trouble getting up in the mornings. This is probably because I have a trouble going to bed at night! Ordinarily, this doesn’t cause any problems but when you have a day of sightseeing planned and you can’t wake up at a decent hour one has to pay the price! Consequently I rarely get to see as much as I’d like to when I go to
It was getting a little late in the afternoon when I headed towards St Paul’s Cathedral but was still well within “opening hours”. I took the advice given in the London Pass guidebook and avoided potential queues by entering via the Crypt. Having walked from the Globe Theatre across the
figures – or rather their graves and monuments! Christopher Wren, architect of this magnificent building is buried here along with renowned musicians, writers, artists, scientists and soldiers.
It seems wrong to walk across grave stones but in
One of the most touching memorials I discovered was a small plaque dedicated to Robert Eaton who was once a St Paul’s chorister and died in the 9/11 attacks on the World Trader Centre.
I should explain that you are not allowed to take photographs inside but if you make it to the top of the building you can take pictures of the views across
of time to make it up the 530 steps to the Golden Gallery (even though I was planning to run up them – ha ha!) and may not even reach the Whispering Gallery. The Whispering Gallery should really be done in pairs anyway to make the most of its clever acoustics (the prospect of being on opposite sides of the 30 metre high gallery and whispering to each other blows my mind!). The lovely man apologised (as though it was his fault that I hadn’t woken early enough!) and said that he could stamp my ticket to enable re-entry on another occasion. How kind is that? I still would’ve returned at some point for the momentous climb but now I’ll keep that ticket safe and do the deed when I’m back in
Instead, I took the opportunity to look upwards from the Cathedral floor (beware: neck strain!) and appreciate the spectacular mosaics, carvings and art work. Although I had not been inside before, the £40million cleaning and repair programme - in preparation for the 300th anniversary in 2010 - is definitely money well spent! The inside of
